After Porgy & Bess , the Auditorium will once again host American music. There is, as one would expect given the title, the flamboyant Wayne Marshall, but the less flashy (I speak of the aspect, not capacity, of course) Giuseppe Grazioli.
Wonderful Town is a musical comedy, whose soundtrack was composed by a 35 year-old Lenny Bernstein in 1953. These 18 numbers arranged in two acts, the more Entr'Acte Ouverture and the second part. The 11 performers - all baked by Yale School of Music, are arranged on the bottom, in the-chorus, with the aid of amplification, to their left, watching the scene, percussion, bass in the orchestra sees the line, just in front of the singers below the line of woodwind instruments and to the left, the the brass band, where the horns are replaced by five saxophones. Right timpani and piano. Strings arranged by the violas to the stage.
From March 3 to make it back in earnest, with Xian Zhang in a program nothing short of magnificent.
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The three main characters are two enterprising sisters Ruth and Eileen Sherwood , arrived from Ohio (tear their why, oh why, oh ) to make his fortune in the Big Apple , and the seemingly cynical Bob Baker, a hack of a magazine of short stories. Around them, others appear more or less desirable, which trouble melting-pot of Manhattan, where intrigues and deceptions are mixed on more or less clean. It makes the costs triggered Eileen, after having brought the climax to Conga danced by Brazilian cadets - who tried to interview her sister (!) - Is brought to jail by the vice squad. So ends the first act.
In the second part, after the curtain tasty Irish the prison, we have one of climax of the play, the great Swing , where highlights Fausto Ghiazza with daring virtuosity of his clarinet. The happy ending for all - Eileen that breaks through the Village Vortex and Ruth accaso you (so to speak) with Bob - is guaranteed by the optimism that could not miss a show in the U.S., even New York, the frantic war.
Well done singers to make the most of the climate of the play, despite the absence of the scenes, which are crucial ingredient in this kind of show.
In orchestra, great performance by all, especially wind instruments and percussion, which obviously are the masters here, greeted by cheering their American . And there's some here. A mo 'of a , here Jennifer Feinstein ( the funny story of Ruth ) to the tune of Conga , leads his catwalk in an overwhelming, with lots of hiking in the stalls, in the audience that applause from the beat. But what happens on stage is incredible, something that maybe would horrify any of vestal temple : professors - All regular jacket or long queues - get up and continue playing, he unleashed a frantic time in their moves, just disco. Imitated by even the shy and reserved Grazioli! In short, a veritable feast of people, those that are good for health, in times of feuds of the gallery and made-of-accounts on the platform of Piermarini.
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